NR, 93 min.
Director/Writer: Kirby Dick
Featuring: Kori Cioca,
Jessica Hinves, Trina McDonald, Lt. Elle Helmer, Hannah Sewell, Rob McDonald,
Cpt. Debra Dickerson
“The Invisible War” is a
four star subject in a three star movie. This is important stuff, and it’s
important to impress that although I haven’t awarded the movie four stars, that
doesn’t make it any less of a priority to see than a four star movie.
The documentary examines the
culture of rape in the United States military services. We meet several women,
and one man, who were raped during their service, who have systematically been
treated as the criminals rather than the victims. The film argues that the
system of justice in the military is designed to sweep such incidents under the
rug. The victims of such crimes are often ignored, demoted, left little choice
but to leave the service, and denied their rightful benefits in the aftermath.
The perpetrators of such crimes usually go unpunished and are often left in the
same positions that gave them the opportunities to enact their abuse. The
system of the chain of command under which all actions must take place in the
military often requires the victims of harassment and rape to report incidents
to the friends of or the very people who committed them.
The film focuses mostly on
one case, a Coast Guard servicewoman named Kori Cioca, who was raped by her
superior. Her face was damaged in the incident and she struggles to get the VA
to cover her medical costs. We see a good deal of the red tape she must jump
through and the years of waiting involved in the coverage review, what we don’t
see is expert opinion on her condition. It isn’t that I don’t believe her, but
an interview with a medical expert who had examined her condition would help
strengthen the filmmakers’ arguments.
We also don’t see enough
male rape victims represented. Anyone who doesn’t know by now that rape is more
an act of violence and power than it is a sexual act just hasn’t been paying
attention. I understand that it’s probably much harder to get men to come
forward, but the film really presents this as a mostly female problem when male
incidents are actually higher in number. I was glad to see one male victim
featured, but the numbers suggest that their support might serve to help the
female cause as well.
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