PG-13, 116 min.
Director: Zal Batmanglij
Writers: Zal Batmanglij,
Brit Marling
Starring: Brit Marling,
Alexander Skarsgård, Ellen Page, Toby Kebbell, Shiloh Fernandez, Aldis Hodge,
Danielle Macdonald, Hillary Baack, Patricia Clarkson, Jason Ritter, Julia
Ormond, Jamey Sheridan
Eco-terrorism might be a
window into the general terrorist mindset that so few of us seem to understand,
since terrorism involves such violent acts against people we perceive to have
little to do with causes of said terrorists. There was an excellent documentary
on eco-terrorism a couple of years back called “If a Tree Falls: A Story of the
Earth Liberation Front”. Nominated for an Academy Award, it gave the accounts
of actual eco-terrorists who had been involved in the deaths of innocents and
brought light to the fact that this is a real form of terrorism that takes
place right here on our shores. Now comes “The East”, a dramatic thriller that
turns its focus on a group of eco-terrorists who go too far despite the
validity of their philosophies.
The story follows an FBI
recruit working for an independent contracting firm hired to end the attacks of
an eco-terrorist group known as The East in their war on big corporations. The
young female agent goes deep undercover and the filmmakers do a good job
showing the scrutiny under which eco-terrorist groups place their members. They
also spend a great deal of time establishing the free-spirited atmosphere of
these groups once one has been accepted. The leader is charismatic and wields a
control over the group of which most of its members are unaware. Their hearts
are in the right place, but they don’t stop much to consider the moral
implications of their actions.
Brit Marling co-wrote the
script and stars as the young spy who does her job but is turned a great deal
toward the philosophies behind the group’s actions. For the most part, the film
does a good job following the procedural format in exploring the espionage
involved in infiltrating such an organization, but there are a few points in
the script where the character is let off the hook in her delicate situation. I
found a member’s choice to keep quiet about an early discovery of the truth
about the spy a little hard to swallow. I was, however, pleased to discover
that the script gave the agent full credit for her own intelligence in the way
it handled the final resolution of her choices.
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