TV-14, 90 min.
Creators: Mark Gatiss,
Steven Moffat
Director: Jeremy Lovering
Writers: Mark Gatiss, Sir
Arthur Conan Doyle (works)
Starring: Benedict
Cumberbatch, Martin Freeman, Una Stubbs, Rupert Graves, Mark Gatiss, Andrew
Scott, Louise Brealey, Amanda Abbington, Jonathan Aris
“Sherlock” returned to U.S.
television last night and Benedict Cumberbatch returned in all of Sherlock’s
abrasive magnificence. Picking up two years after the events of “The
Reichenbach Fall”, in which Sherlock apparently killed himself in order to
thwart Jim Moriarty’s plans to hurt the only people he cares for, we find that
although Sherlock himself hasn’t changed much, John Watson has.
Not all that pleased that
Sherlock was willing to allow him to believe for two years that he was dead;
John is reluctant to forgive his friend. He’s even less willing to allow
Sherlock to tell him how he did it, although it burns at him, mostly because it
took some 25 people to help Sherlock pull it off, but not apparently his
closest confidant and friend. As expected Sherlock can’t fathom why John should
be upset about all this.
However, there is reason why
Sherlock chooses this point in time to reveal himself to John. He has been
beckoned by his brother Mycroft to help stop a reported terrorist attack on
London. Given only the clue that there is an “underground” movement to embark
on a terrorist attack on the city, Sherlock finds himself slightly mystified at
the vagueness of this report. However, his brother’s concern intrigues him. And
so another mystery is set in motion for the crime-solving duo.
The series returns with all
the flair it had last we witnessed it here in the states way back in almost two
years ago. To tell the truth, I like most people just caught up with the series
last year on Netflix. But anyway, it’s still good to have them back for another
three episodes, and possibly a Christmas episode at the end of the year.
Director Jeremy Lovering
brings back many of the stylistic flairs from the first couple of seasons, most
notably the visualizing of Sherlock’s ability to deduce clues in the form of
word thoughts about the people and places he observes. Writer Mark Gatiss, who
also plays Mycroft, also explores a good deal of humor in this episode, mostly
pertaining to Holmes and Watson’s reunion. I really liked that Watson kept
attacking Holmes when he first reveals himself. Cumberbatch perfectly captures
Sherlock’s surprise every time, unable to comprehend his offense against his
friend.
2 comments:
I love the camera work; it's gorgeous. Also, if I had more time, I would research the musical motifs. Obviously there is the one for Sherlock, but I am pretty sure Mycroft has one and possibly John.
Yes, the camera work does have an eye for London. I think this is a wonderful detail of this series. It seems to be in love with its location, which is something that Doyle did with the books as well. They're kind of a love letter to London.
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