UR, 95 min.
Director: Stuart Gordon
Writers: Dennis Paoli,
William J. Norris, Stuart Gordon, H.P. Lovecraft (short story “Herbert West,
Re-Animator”)
Starring: Bruce Abbott,
Jeffrey Coombs, Barbara Crampton, David Gale, Robert Sampson, Gerry Black
Stuart Gordon’s “Re-Animator”
is one of those cult classics that make the uninitiated scratch their heads and
the cult followers relish the details. It’s campy and earnest all at once and
makes for one of the most unique horror movie experiences out there. The plot
follows the exploits of Herbert West, a young doctor who has taken his mentor’s
beliefs about life after death a little too far.
West isn’t the hero of the
piece, however, nor is he the antagonist. He is merely the eccentric catalyst
of the strange and bizarre events depicted here. He becomes housemates with
another young doctor, Dan Cain, a naïve med student with notions about saving
everyone. Cain is dating the daughter of the university’s dean of students and
studying under the reputable Dr. Carl Hill. West makes a bad first impression
with Hill by insulting all his theories as either stolen or shortsighted.
Secretly, West is conducting
experiments with a solution he’s developed that will re-animate the dead. Cain
gets wind of this when his cat disappears and then he discovers West fighting
with a beastly version of the cat in the basement. The special effects for the
cat in this scene are probably one of the reasons for this film’s cult status.
The message at the end of the film that states no animals were harmed during
the making of this movie was never less necessary because no one watching will
believe they are seeing a real cat being thrown around in that basement. I
could film one of my son’s stuffed animals, one that wasn’t even a cat, and it
would look more like a real cat than the one in this scene. But, boy they
approach that ball of fur with conviction.
The ultimate nemesis of the
film also provides a good idea of the cult appeal. One of the characters loses
his head at one point; but once it is re-animated by West, the head becomes the
film’s villain. Using its own headless body to carry itself around in a sterile
tray and a bowling ball bag, it is one of the more absurd villains in film
history; and yet it is also somehow menacing enough to make you believe the
peril of Cain’s situation, especially once it is revealed that the head has an
obsession with Cain’s girlfriend.
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