R, 93 min.
Director: Steve Miner
Writers: Fred Dekker, Ethan
Wiley
Starring: William Katt,
George Wendt, Richard Moll, Kay Lenz, Mary Stavin, Michael Ensign, Erik Silver,
Mark Silver, Susan French
It has been a long time
since I saw “House”. At the time of its release, I seem to remember that it was
kind of revolutionary in the way it mixed horror and humor. In reality, it wasn’t
really that revolutionary, since it stole this idea from Sam Raimi’s “Evil Dead”
to some degree. It shares a good deal in common with Raimi’s vision, including
some monster character designs that are surprisingly similar.
I think what made “House”
seem so original was that it was somehow a little more mainstream accessible
than Raimi and his inspirations. It was a bit of a sleeper hit at the time, as
I remember. The producers felt the need to capitalize on their surprise success
with a sequel the following year. I doubt it was expected to be incredibly
successful, as William Katt’s star had fallen as a film star due to the failure
of his television show “The Greatest American Hero”. House was his first acting
gig since the cancelation of the show three years earlier. His two co-stars,
George Wendt and Richard Moll, were also only known as TV stars, and supporting
ones at that. Still, they drew pretty good grosses compared to the film’s
budget.
The story follows that ever
popular character of eighties horror, the famous writer who is trying to break
away from his popular fiction style to write something deeper. This writer is
trying to chronicle his Vietnam War experience and trying to get over the
disappearance of his son a year earlier that eventually led to his divorce from
his famous actress wife. He moves back into his childhood home after his aunt,
a surrogate mother to him, has committed suicide. He starts seeing visions that
indicate his aunt’s death and possibly his son’s disappearance have something
to due with an evil presence in the house.
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