NR, 111 min.
Director: Sam Wood
Writers: Robert Pirosh,
George Seaton, George Oppenheimer
Starring: Groucho Marx,
Chico Marx, Harpo Marx, Allan Jones, Maureen O’Sullivan, Margaret Dumont,
Leonard Ceeley, Douglas Dumbrille, Esther Muir, Sig Rumann, Robert Middlemass
This makes my third Marx
Brothers movie after “A Night in Casablanca” and “Duck Soup”. After watching
those I was surprised to find that I preferred the former. As you can guess by
its similar title “A Day at the Races” is more in line with that film. “Duck
Soup” is more like unbridled madness, while the “Day/Night” movies have much
more traditional storylines. These two are definitely entry point Marx Brothers
movies.
The story is about a woman
who runs a sanitarium who has come upon some financial hardship. She’s so
desperate for clients she has one of employees (Chico) trying to rustle up
patients as they leave the train station. Ho Ho! They decide to convince one of
their few rich clients to help fund the hospital. She agrees, if they hire her
former doctor (Groucho) on as chief of staff. The thing is, he’s really a
veterinarian. Meanwhile, the woman’s boyfriend has just sunk his life savings
into a racehorse that just doesn’t have the speed for the track. The jockey is
Harpo.
It turns out the woman’s
accountant is in cahoots with the race track owner to get the sanitarium signed
over so he can make a casino out of it. Well, the Marx Brothers don’t have much
trouble throwing a wrench into those works. Groucho is in his best form as the
doctor treating people with the knowledge of a horse doctor. The scene when he
examines Harpo is one of their best. Chico also shines pretty bright in this
one, crafting the tutsie fruitsie wagon scene into a classic Marx Brothers bit.
The musical numbers are also
one of the big highlights of this film. The Banana Boat Club scene is a classic
Silver Age Hollywood musical moment with its big show stopping set and water
fountains. Chico and Harpo have memorable music bits here and in the big show
stopping number “Tomorrow is Another Day”, which includes several other songs
in its medley format, including Harpo’s unusual jaunt through an African American
community as the Pied Piper. Yes, the trio appearing in black face at the end
of the number is a little uncomfortable, but the musical treatment around it is
wonderful.
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