Director: Bruce Robinson
Writers: Bruce Robinson,
Hunter S. Thompson (novel)
Starring: Johnny Depp,
Michael Rispoli, Aaron Eckhart, Amber Heard, Richard Jenkins, Giovanni Ribisi
I’ve only read a couple of
Hunter S. Thompson’s books. The ones that I’ve read fully embody the manic
nature in which Thompson was famous for living his life. His work is fueled by
his anti-authority, drug-induced need to dig at the underbelly of
establishment. His words come off the page like the workings of a frantic
rodent set out to expose the monsters in us all. And he’s funny, too.
“The Rum Diary” is taken
from the second novel he ever wrote, which remained unpublished until late in
his career as the original Gonzo journalist. I haven’t read the book, but the
movie reflects the fact that this was early work for Thompson. It has all the
earmarks of his work, but lacks a strong voice. His conviction wasn’t yet fully
formed. This is reflected in the film’s plotting and the absence of that manic
delivery.
Surely, this will be
something that should be seen by any fan of Thompson, but this isn’t full
Thompson emersion. There are romantic notions here that are either a product of
the production or elements that Thompson had abandoned by the time he reached
his full stride as a writer. There is a lack of focus, not that focus has ever
been something Thompson has often been accused of possessing, but his teeth
aren’t fully sharpened here.
The story follows a young
journalist who is hired onto a dying San Juan newspaper. He gets mixed up in a
real estate scheme and the woman who comes between the land developer and
himself. These are fairly conventional plot points for Thompson, and they
hardly make up the entirety of his adventure. There are many drug and alcohol
elements that sidetrack the hero portrayed by Johnny Depp. These are typical
Thompson distractions. Like often happened in Thompson’s own life, they
sidetrack the hero from following through with his exposure of the illegal real
estate plan.
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