Once again my favorite time
of year has rolled around, and once again all my reviews over the next month
will concentrate on the horror genre or variations thereof. That is about all
that will be the same this year, however. This will be the first year I go into
Horrorfest without a clear plan about what movies I’m going to watch over the
next month. I’m a little excited about this prospect at going into it without a
plan of attack. Of course, that makes it a little difficult to put together
some sort of preview for it.
What fueled this change of
format are some major life changes. At the very end of last year’s Horrorfest
my family suffered a minor tragedy that uprooted many of the way things had
been for quite some time. It didn’t affect last year’s Horrorfest as I’d
finished watching all the films on my schedule before it happened. Immediately
after Horrorfest ended, A Penny in the Well felt the changes. A movie a day was
just no longer possible to keep up. I still do my best, but there is only so
much time in a day and a week. The addition of my fourth child this past spring
has made things even more difficult time wise and there are more important
things to concentrate my energies on than movies. Movies are still important,
however, and horror movies are my favorites. So Horrorfest will prevail.
I will do my best to get in
one review a day over the month of October, but I’m not making any promises.
Most of the movies will be as much of a surprise to me as they will to my
readers. I do know I will attempt to screen many of the major horror cinematic
releases over the month, including “Annabelle”, “Horns”, “The BoxTrolls”, and
“Gone Girl”. I will also republish some of the full-length reviews I’ve done
this year for the e-zine “Zombie Apocalypse Monthly”, including reviews of
“White Zombie”, “Birth of the Living Dead”, and the extended cut of “World War
Z”.
There are also a couple of
television shows that I will feature for Horrorfest. Season four of “The
Walking Dead” was a shake up season for the popular horror series, and I will
weigh in on it before the premiere of season five. Guillermo del Toro and Chuck
Hogan’s television adaptation of their modern vampire take “The Strain” will
wrap up its first season during the month of October, and I’ll let you know
what I thought of it. I may also tackle season two of “Hannibal” and/or season
one of “Fargo”, depending on whether or not I get finished with them in time.
The advent of streaming
services has made an amazing amount of movies available to watch on a whim.
This will be the most distinct guiding force of this year’s festival. There are
a few flicks in my Netflix account that I’m pretty sure I’d like to get around
to, however. Mario Bava’s “Black Sabbath” and “Black Sunday”, the voodoo flick
“The Believers”, “Insidious Chapter 2”, last summer’s sleeper hit “You’re
Next”, Ti West’s “The Sacrament” and Jim Jarmusch’s vampire take “Only Lovers
Left Alive” are all likey to get screenings this year. I may also revisit
“Zodiac”, something I’ve been meaning to do ever since it was added to the
Netflix lineup.
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