PG-13, 105 min.
Director: Rupert Wyatt
Writers: Rick Jaffa, Amanda
Silver, Pierre Boulle (novel “The Planet of the Apes”)
Starring: James Franco, Andy
Serkis, Freida Pinto, John Lithgow, Brian Cox, Tom Felton, David Oyelowo, Karin
Konoval, Terry Notary, Richard Ridings, Chris Gordon, Jay Caputo, Tyler Labine,
Jamie Harris, Ty Olsson, David Hewlett
Sometimes I hold back on
star ratings because I just feel like I can’t be handing out four stars left
and right. Also, I often just love a movie and hold back because I don’t think
others will see it the same way. As a critic that’s really going against my
job, which is to point out what others may not see in a movie whether it be
good or bad.
As I recall, I took a star away from this movie only because it embraces an action element in its
final act. The thing is the plot of the film wholly supports the action
sequence on the Golden Gate Bridge. Everything about it comes from elements
that have come before in the film. It establishes the apes as the “good guys”
were this a more traditional movie. But then, it really isn’t.
Watching it with my boys, I
found the younger of the two simply had to break it down to good guys and bad
guys. At first I told him that there really weren’t any good guys or bad guys
in this, but then by the end I recanted and told him it seemed the apes really
were the good guys. Humanity, in its apparent need to advance in science and in
its own selfish nature to never accept what we are given pushes too far
sometimes. “Rise of the Planet of the Apes” is a cautionary tale for that
behavior just as the 1968 original “Planet of the Apes” was, although that one
concentrated more on our nature towards war.
“Rise” cleverly takes
something none of us would consider to be an ignoble or dangerous goal and
shows us how our ambition and greed can lead to our demise. Ultimately, the
virus created to fight Alzheimer’s that is the real threat to man, not the
apes. We’re busy concentrating on the wrong problem. Everybody is up in arms
about Cesar, the ape, being treated as a human when what will annihilate us
hits us from behind. Meanwhile, Cesar’s struggle is also a mirror to man’s
necessity for freedom. He achieves it by winning a power struggle amongst his
own kind first.
Cesar’s battle against man
is not personal. He wishes no man any harm. He just wants a place to live with
his brethren. That fact that this coincides with the virus taking out most of
humanity is merely coincidence. The fact that man created the serum that sent
the apes up this evolutionary leap as that same virus that wiped us from the
planet shows us the folly of playing God. It’s hard for action to get much
deeper than this. Hell, good drama rarely reaches this level of complexity.
This is a great movie.
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