PG, 195 min.
Director: Warren Beatty
Writers: Warren Beatty,
Trevor Griffiths
Starring: Warren Beatty,
Diane Keaton, Edward Herrmann, Jerzy Kosinksi, Jack Nicholson, Paul Sorvino,
Maureen Stapleton, Nicolas Coster, M. Emmett Walsh, Ian Wolfe, Max Wright,
George Plimpton, Gene Hackman, William Daniels, Shane Rimmer, Jerry Hardin,
Christopher Malcolm, R.G. Armstrong, Josef Sommer
This is the fourth time I’ve
invested my time into this epic romance, and every time I watch it, it grows on
me a little more. “Reds” explores the lives and romance of journalists John
Reed and Louise Bryant against the backdrop of the Bolshevik Revolution. It is
a sprawling film that received mixed critical praise at the time it was
originally released despite being nominated for 12 Oscars, but has gained a
little more respect since then as one of director/writer/actor Warren Beatty’s
more powerful films.
It is a long and slow paced
film. I believe this is where much of the initial critical disappointment came
from. Perhaps people were expecting a more action-oriented film with
revolutionary violence, but it’s much more about these two people and how they
were drawn together. It’s about how they loved each other, which was just as
untraditional as their socialistic views at the time. It also doesn’t eschew
the complexities of how Americans can promote socialistic values while still
remaining true to their American freedoms. This is reflected in how their
relationship tries to follow a more traditional standard. However, they only
thrive as lovers when pursuing less traditional American values.
As such a character driven
drama and romance, the performances are of the utmost importance to the success
of the picture. It was the last film before “Silver Linings Playbook”, more
than three decades later, to receive nominations in each of the four acting
categories for the Academy Awards. I find Diane Keaton’s performance as Bryant
the most intriguing. Keaton so often plays a goofball that it’s nice to go back
and see some of the early dramas that were as much a part of her repertoire in
her early career as the comedies. She’s really a brilliant dramatic actor and
drops all her flightiness for roles like this one and her role in “The
Godfather” films. Jack Nicholson is also brilliant in his Oscar nominated
supporting role as playwright Eugene O’Neill.
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