R, 143 min.
Director: John Frankenheimer
Writers: Ernest Lehman,
Kenneth Ross, Ivan Moffat, Thomas Harris (novel)
Starring: Robert Shaw, Bruce
Dern, Marthe Keller, Fritz Weaver, Steven Keats, Bekim Fehmiu, Michael V.
Gazzo, William Daniels, Walter Gotell, Victor Campos, Joseph Robbie, Robert
Wussler, Pat Summerall, Tom Brookshier
Perhaps the most powerful
element of John Frankenheimer’s 1977 thriller “Black Sunday” today is how
topical it remains. On this Super Bowl Sunday, I look back at the movie based
on Thomas Harris’s novel inspired by the harrowing events of the 1972 Munich
Olympic Games, during which members of the Palestinian terrorist group Black
September took Israeli athletes hostage in a situation that ended in a confrontation
in which all the hostages were killed. Harris’s novel imagined a new plot that
saw Black September attacking the U.S. during another sporting event—the Super
Bowl—with much a grander massacre plot.
Frankenheimer, known for
politically fueled thrillers such as the original “The Manchurian Candidate”,
realized Harris’s vision on screen with the full co-operation of the NFL, which
allowed the production to film at Super Bowl X in 1976. The fact that this
contest included the marquee Super Bowl match-up of the 70s Super Bowls— the
Dallas Cowboys vs. the Pittsburgh Steelers—was doubly advantageous for the
filmmakers. With a plot that involved a disgruntled U.S. Vietnam War pilot
arming the Goodyear blimp with an extremely destructive device, Goodyear’s
co-operation was also a key element in making the movie successful.
Focusing on a Mossad agent’s
attempts to thwart the attack, it wouldn’t take much in terms of changes to
modernize this movie for today’s political atmosphere. Switch out the
Palestinians for Al-Qaeda operatives or even ISIL and the Super Bowl target
would still seem plausible. The movie is a little long for today’s audiences,
who would appreciate more tightened action and American heroes; however, it
would still work just as effectively.
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