PG, 118 min.
Director: Guy Hamilton
Writers: Robin Chapman, Carl
Foreman, Alistair MacLean (novel)
Starring: Robert Shaw,
Harrison Ford, Edward Fox, Carl Weathers, Franco Nero, Richard Kiel, Barbara
Bach, Alan Badel, Michael Byrne, Angus MacInnes, Philip Latham
My wife and I have always
been pretty protective of our children when it comes to exposing them to mature
content in movies. I believe it depends on the person as to what they can
handle by which age. Some kids will handle things better at an earlier age than
others. By this point both of our older boys (13 and 9) have long since been
exposed to all sorts of violence through video games and playing with their
friends. Seeing “Fury” recently, I was reminded how much war movies helped to
form my tastes as a cineaste and I realized that I have never shown my boys a real
war movie. So, I decided to start them on the one I believe my father started
me on, Alistair MacLean’s follow up the “The Guns of Navarone” and early
Harrison Ford flick “Force 10 from Navarone”.
Why start them on the sequel
first? Simply put, the sequel is shorter and has a quicker pace. It’s also a
mission that has little to do with the original story. There are some tie-in
elements, but you don’t need to see one to enjoy the other. I also felt
Harrison Ford would help keep their minds open about a different time in
filmmaking before CGI and the relentless action of modern blockbusters. What I
had forgotten was that it was OK to show female breasts in the 70s as long as
it wasn’t in a sexual context. Thank you Barbara Bach for becoming my oldest’s
first obsession. I prefer her to someone like Miley Cyrus. It should also be
noted that he covered his eyes during that brief scene.
Anyway, I’ve always had great
affection for this film for being the first World War II movie I ever saw.
“Force 10” is certainly not as deep as other WWII films like Sam Fuller’s “The
Big Red One”. I suppose it takes more of a war as adventure angle, which is often
criticized for glorifying war. Directed by James Bond veteran Guy Hamilton, it
has much the same spirit as the 70s Bond flicks. I’m sure if Ford weren’t so
American, he would’ve been in contention to replace Roger Moore before Timothy
Dalton.
I always loved the fact that
they stole a plane from their own base in order to keep the mission completely
top secret. The spy the British agents are sent to kill and blowing of the
bridge for the American unit make for some wonderful story elements to keep the
film going without getting too deep into the horrors of war. It’s much more of
an espionage film than a war film, but the Nazis make for their usual great
villainous threat. It’s a good movie to dip into the WWII setting, a kind of
transitional movie.
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