TV-14, 23 24-min. episodes
Creator: Elizabeth
Meriwether
Directors: Max Winkler, Fred
Goss, Andrew Fleming, David Katzenberg, Russ Alsobrook, Trent O’Donnell, Nicholas
Jasenovec, Eric Appel, Lorene Scafaria, Richie Keen, Alex Hardcastle, Bill
Purple, Jay Chandrasekhar, Steve Welsh, Lynn Shelton, Steve Tsuchida
Writers: Elizabeth
Meriwether, Kay Cannon, Luhv Rakhe, J.J. Philbin, Rob Rosell, Dave Finkel,
Brett Baer, David Feeney, Matt Fusfeld, Alex Cuthbertson, Ryan Koh, Josh
Malmuth, Berkley Johnson, Rebecca Addelman, Kim Rosenstock, Nina Pedrad,
Camilla Blackett, Sophia Lear
Starring: Zooey Deschanel,
Jake Johnson, Max Greefield, Lamorne Morris, Hannah Simone, Damon Wayans Jr.
Guest starring: Merritt
Weaver, Hamky Madera, Dreama Walker, Eva Amurri Martino, Curtis Armstrong, Mark
Proksch, Brenda Song, Riki Lindhome, Jon Lovitz, Steve Agee, Derek Waters,
Jillian Armenante, Samuel Gilbert, Taye Diggs, Justin Chon, Jessica Chaffin,
Brian Posehn, Bart McCarthy, Hannah Eisenmann, Gillian Vigman, Bob Gunton,
Jamie Lee Curtis, Bob Falcone, Angela Kinsey, Josh Gad, Ralph Ahn, Prince, Adam
Brody, Mary Elizabeth Ellis, Linda Cardellini, Matt Price, June Diane Raphael,
Alexandra Daddario, Stevie Nelson, James Frencheville
It’s interesting how with a
show like “New Girl” it is really hard to distinguish one season from another.
Its Seinfeldian nature is such that it’s never really about anything other
these strange personalities existing. This is not a drawback or a restriction
to the show but a grandiose freeing of comedic possibilities.
There are always a few
things that can be pointed out about each season that are unique. In this
season, Nick and Jess finally get together and become a couple. This helped the
series avoid the “Moonlighting” syndrome where they tease a romantic
possibility for so long that when it finally happens no one really cares
anymore. But “New Girl” is so unique, no one in it really seemed to care even
though the tease didn’t last the entire length of the series. Their coupling
made absolutely no difference in anyone’s relationships whatsoever here, least
of all Nick and Jess’s. And when they broke up, still no difference. I think
that was a stubborn comedic choice of the series. It kind of frustrated me that
since it made so little difference to the characters lives that they would
bother to break them up, but… que sera sera.
A more substantial
difference this season, however, was the return of the character of Coach,
played by Damon Wayans, Jr. When Lamorne Morris replaced Wayans after only the
pilot episode as a completely different character, I welcomed the change. I
liked Morris’s Winston better than Coach, who seemed a little leery to me in
that one episode. I was surprised, however that they didn’t reshoot the episode
and omit the Wayans character entirely before the series went to air. As the
series continued, Winston became my favorite male character, because he almost
seemed more normal than the others except for a few quirks that were way beyond
the instability anybody else. But, somehow Coach always hung in the background
of my mind. Why hadn’t they cut him out?
As it turns out, the
producers liked Wayans and only replaced him because he had accepted a role from
another pilot he had filmed that season that had gone to series, ABC’s “Happy
Endings”. When that series was canceled, the producers seized on the
opportunity to bring Coach back as a recurring character. That should read
“recurring” because he appeared in every episode from his first one back, which
was midway through the first half of the season. He has since been promoted to
series regular starting next season.
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