TV-14, 13 45-min. episodes
Creator: Brian K. Vaughan
Directors: Niels Arden
Oplev, Jack Bender, Paul A. Edwards, Kari Skogland, Miguel Sapochnik, Roxann
Dawson, Sergio Mimiaca-Gezzan, David Barrett, Peter Leto
Writers: Brian K. Vaughan,
Stephen King (novel), Rick Cleveland, Adam Stein, Peter Calloway, Soo Hugh,
Caitlin Parrish, Daniel Truly, Andres Fischer-Centeno, Scott Gold
Starring: Mike Vogel,
Rachelle Lefevre, Dean Norris, Natalie Martinez, Britt Robertson, Alexander
Koch, Colin Ford, Mackenzie Lintz, Nicholas Strong, Jolene Purdy, Aisha Hinds
Guest starring: Jeff Fahey, Samantha
Mathis, Beth Broderick, Dale Raoul, John Elvis, Josh Carter, R. Keith Harris,
Ned Bellamy, Leon Rippy, Andrew Vogel, Jaret Sears, Linds Edwards, Natalie Zea,
Mare Winnigham, Ray Hernandez, Crystal Martinez, Jason Alexander Davis
I rarely stay on the fence
about a television show for as long as I have with “Under the Dome”, the
continuing series based on Stephen King’s best-selling novel about a small town
whose citizens suddenly find themselves mysteriously trapped under an invisible
dome. The premise is compelling and lends itself well to an extended series,
rather than a two-hour movie. It should be a great series in this day of the
mythology series as opposed to the episodic television of old. Truth be told,
it even lends itself to some episodic exploration as well.
Unfortunately, its premise
seems to be all the CBS executives seem to think is necessary to hang it on. While
I recognize some of the writer’s names from better television shows, it seems
they’ve gone for the bargain basement bins in terms of writing quality. The
writing is the biggest drawback of the show. Instead of building mystery with
its strange premise, the writers are content to write their lines based on
cliché and sap. Nothing is subtle in this series. No one in the town seems to
approach the developments with the awe and astonishment appropriate to the
situation.
They’ve assembled a good
cast that either doesn’t care that much about the material, or can’t muster the
chops to rise above the pedestrian teleplays. Dean Norris, who is so good as
the DEA agent brother-in-law in the hit cable series “Breaking Bad”, plays the
heavy in this series and seems to need some dentures to help him with all the
teeth gnashing he asked to perform. The rest just aren’t really given much to
work with. There’s little to no character development, and everyone seems to
react fairly similarly to some pretty extreme events. Even the psychotic kid
seems to become pretty fair and balanced about things by mid-season.
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