X, 84 min.
Director: Sam Raimi
Writers: Sam Raimi, Scott
Spiegel
Starring: Bruce Campbell, Sarah
Berry, Dan Hicks, Kassie Wesley, Theodore Raimi, Denise Bixler, Richard
Domeier, John Peakes, Lou Hancock
The first time I ever saw
Sam Raimi’s cult horror comedy classic “Evil Dead II” it was one of those rush
jobs that really only seem to happen in college. “You haven’t seen ‘Evil Dead
II’? We must watch it, right now!” one of my friends insisted.
It wasn’t optimal movie
watching conditions. As a true cineaste, I really have a problem with
conditions that are less than optimal. It was in a college dorm room—a
single—in the middle of the day. The sun was shining through the window behind
the small television set on which we would watch the film. Seating was minimal
and fairly uncomfortable, although I was awarded the prime seating right in
front of the set with it blocking the sun behind it and the most comfortable
seat, as I was the “Evil Dead “ virgin.
Although I had finally
shifted gears heading toward the healthy obsession with movies that I now hold
today, I hadn’t seen many low budget films. I was taken aback at first at the
lesser production values. Having about ten times more to spend on this sequel,
I wonder what I would’ve though of Raimi’s original at that time. I was
concerned that I hadn’t seen the original. I didn’t like watching a film series
out of order. I was assured that I didn’t need to see the first one, because
the second was like a remake of the first and a sequel at the same time.
Glancing at the 84 minute running time, I wondered how they could fit all that
into one film.
It didn’t take long before I
was hooked by the off hand nature of the narrator’s introduction. He spoke with
severe seriousness, yet the visuals suggested there was a joke to be in on and
it was about to invite me in. Soon the room was laughing at Bruce Campbell’s
cavalier attitude and the absurdity of watching a stop motion animated ballet
sequence with a headless dancer. This movie was all over the map, and what a
map it was.
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