R, 103 min.
Director: Matthijs van
Heijningen
Writers: Eric Heisserer,
John W. Campbell (short story “Who Goes There?”)
Starring: Mary Elizabeth
Winstead, Joel Edgerton, Ulrich Thomsen, Eric Christian Olsen, Adewale Akinnuoye-Agbaje,
Paul Braunstein, Trond Espen Seim, Kim Bubbs, Jørgen Langhelle, Jan Gunnar Røise,
Stig Henrick Hoff, Kristofer Hivju, Jo Adrian Haavind, Carsten Bjørnlund,
Jonathan Lloyd Walker
This remake/reboot of John
Carpenter’s 1982 version of “The Thing” is surprisingly good. It’s remarkable
in how it acts as a prequel to that film, while also starting the story all
over again. It doesn’t really ad much to the mythology as both stories are
almost the same in how they’re told. This new film goes a little further in
bringing the action back to the alien spacecraft, but it’s much more interested
in setting up the 1982 movie.
The filmmakers and
production designers work meticulously to place details about the Norwegian
camp that are also referenced in Carpenter’s film. There is the ice block in
the wooden shack, the double-headed alien body, and the Norwegian who has
committed suicide in the communications room. All of these details show up in
the ’82 movie. The ending is brilliant in the way it stops right where the ’82 movie
picks up.
I did feel that this film
was weaker in terms of thematic material. The ’82 movie had the Cold War to
work against and the paranoia it placed in people. The spy game had elevated to
such a degree between the Russians and the U.S. by that time that it was nearly
impossible for intelligence to trust its own agents. The movie worked on those
fears of not knowing the allegiances of the person sitting next to you. This
film didn’t have the Cold War to work against, despite the fact that it does
take place at the same time.
What I did notice the second
time around on this one, however, is a very anti-American theme. This does
reflect the greater worldview in this day and age. Very few people trust
America anymore. Since this film is showing the Norwegian camp that discovered
the alien before the American camp in the ’82 movie, we are seeing a foreign
outlook on Americans. The heroine is an American, but the two people who
disappear and then reappear are also Americans. No one much wants to hear
anything the heroine has to say either, until it becomes disturbingly clear
that she’s correct in her assessments.
While it isn’t as strong a
theme as the ’82 movie, it still makes it more of a science fiction than it
appears at first. This is an excellent prequel to a remake that may be one of
the best re-imaginations in cinematic history.
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