Director: Ralph Fiennes
Writers: John Logan, William
Shakespeare (play)
Starring: Ralph Fiennes,
Gerard Butler, Brian Cox, Vanessa Redgrave, Jessica Chastain, John Kani, James
Nesbitt, Paul Jesson
I was a drama major at
Hofstra University, which boasts one of the best undergraduate Shakespearean
acting programs available. Everyone in the department had a huge volume of the
complete works of Shakespeare. Throughout a four-year program all read most of
those plays. A select few were not read. Despite my knowledge of Shakespeare, I
only had a vague notion that the play “Coriolanus” even existed until British
actor Ralph Fiennes decided to make his directorial debut with a film
production of it.
Fiennes and his screenwriter
John Logan have updated the story to a modern war torn European state.
Shakespeare’s story is set mostly in Rome, for Fiennes purposes title cards
indicate that although they call this place Rome, it isn’t necessarily the Rome
you’re thinking of. Filmed in Serbia and Montenegro, the setting seems right
for the story depicted. That story is one of political corruption and
misinformation that leads to revenge and tragedy, as so many of Shakespeare’s
dramas do.
Having been so immersed in
Shakespeare at one point in my life, I’m always drawn to film adaptations of
his works. Being unfamiliar with this particular play made for a more unique
experience watching it. I would say that this is not one of his better plays,
but Fiennes and his cast do a commendable job making it palatable to a modern
setting. Much of Shakespeare’s words here are repetitive and overly concerned
with the posturing of the characters, of which there is a great deal. It is a
political story after all.
It’s slow to get moving, but
once it does it comes across as biting criticism against modern politics. I
suppose, since the play was written in the early 1600s, politics haven’t
changed much with the passage of time. The political manipulators here, who
want nothing more than for people to never understand their proposed leader,
set one against the other. I found it interesting that the politicians here
wear a blue tie and a red tie. I don’t know if Fiennes intended this to
represent the Democrats and Republicans of our country or if he’s attacking
conservative and socialistic ideals in general as being one and the same. Either
way, the message is clear that neither party has the country’s best interest in
mind, only their own necks. It’s important that both these political symbols
are working for the same outcome here, though.
There is a great deal of
side switching going on in this story, however. The protagonist eventually goes
to his enemy to offer his services in revenge against the country that banished
him due to the manipulation of facts by the two politicians. Fiennes plays the
banished Coriolanus and Gerard Butler his longtime enemy turned ally. Butler is
the surprise of the movie, spending most of the early scenes with his typical
brooding and menace. Later he seems the stable one to Fiennes emotionally torn
Coriolanus. It all makes for a compelling Shakespeare adaptation, despite the
fact that it isn’t one of the more verbally rich ones.
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