Saturday, August 27, 2016

Suicide Squad / **½ (PG-13)

Deadshot: Will Smith
Harley Quinn: Margot Robbie
Boomerang: Jai Courtney
Rick Flagg: Joel Kinneman
June Moone/Enchantress: Cara Delevinge
El Diablo: Jay Hernandez
Katana: Karen Fukuhara
Killer Croc: Adewale Akinnuoye-Agbaje
Amanda Waller: Viola Davis
The Joker: Jared Leto

Warner Bros. Pictures presents a film written and directed by David Ayer. Based on the comic book created by John Ostrander and characters created by Ostrander, Bill Finger and Ross Andru. Running time: 123 min. Rated PG-13 (for sequences of violence and action throughout, disturbing behavior, suggestive content and language).

DC Comics and Warner Bros. have finally brought the comic book battle to the cinemas, once again facing off against their arch nemesis Marvel. It took DC a long time to get their act together. While they were doing that Marvel wrote the book on a cinematic superhero universe. DC is playing catch up. They’ve already taken a good deal of flak for their first two entries “Man of Steel” and “Batman v Superman: Dawn of Justice”. The third, “Sucide Squad”, has likewise been a critical disaster, but not a box office one. It’s probably important to remember that the first two didn’t exactly slack at the box office either.

None of this really matters. The only thing that really matters is that Marvel took their time building their universe and DC wants to be where Marvel is right now. Marvel put out five films before they threw their heroes together in a team. DC put out 2, and one of those is pretty much a team up between three heroes, only one of which had a previous movie in this particular superhero universe. A total of three villains were introduced in those two movies, and now we get a superhero team made up of villains known as the Suicide Squad. They get their own movie, and we’ve never met any of them before. Batman makes an appearance, and a new version of the madman villain The Joker, with whom audiences are basically familiar from other films unrelated to this universe. But, neither of these previously revealed characters have anything to do with the Suicide Squad itself. What I’m taking a great deal of time to get at here—but DC has not—is that in the movie “Suicide Squad” we’ve got two hours to familiarize ourselves with nine new major characters and give them an engaging plot to survive, which just isn’t enough time.

Sunday, August 21, 2016

Star Trek Beyond / ***½ (PG-13)

Captain James T. Kirk: Chris Pine
Commander Spock: Zachary Quinto
Doctor ‘Bones’ McCoy: Karl Urban
Lieutenant Uhura: Zoe Saldana
Montgomery ‘Scotty’ Scott: Simon Pegg
Sulu: John Cho
Chekov: Anton Yelchin
Jaylah: Sofia Boutella
Krall: Irdris Elba

Paramount Pictures presents a film directed by Justin Lin. Written by Simon Pegg & Doug Jung. Based on the “Star Trek” television series created by Gene Roddenberry. Running time: 122 min. Rated PG-13 (for sequences of sci-fi action and violence).

I overheard a critic speaking recently who said that nostalgia doesn’t belong in criticism. I’m not so sure I agree with this, which is no surprise since I write from a very nostalgic point of view. I understand what this critic was saying. There is an objectiveness that is necessary in criticism and getting too nostalgic runs the danger of adopting the false entitlement of ownership that so many fans espouse these days, leading to much of the illegitimate criticism felt by franchises, such as the “Ghostbusters” reboot. However, I think it’s impossible to critique these franchises without acknowledging their reliance on what has come before. Of course, the best franchise films work just as well if you’ve never seen any entry in the series before, but most are made with the notion their audience is familiar with the franchise characters, tone and mythology.

Saturday, August 20, 2016

Twitter Thoughts—July 2016 Final Week

Featuring:
Downton Abbey, season 6 (2016) ****
Ghostbusters (2016) **½
The Shadow (1994) **
Star Trek Beyond (2016) ***½
Modern Family, season 7 (2015-2016) ***½
Jason Bourne (2016) ***
Androcles and the Lion (1952) ***

To call this the final week of July is a bit of a stretch. It’s more like the final half of the month. And this was all I watched in that time period. It was a busy time for both work and family that did not allow for much in terms of watching a screen for long periods of time.

My wife and I finally finished the BBC series “Downton Abbey” and couldn’t have been happier with it. It was consistently good and, like most British shows, did not outstay its welcome. I was happy with how the lives at the Abbey turned out, and while it might be nice to see how progress continued to change the class structure of British Royalty and their servants, it more than likely would’ve seemed more sad than what the results of progress really are. Like the elder generation, we all like our entertainment to stay the way it was.

In other television opinion, ABC’s “Modern Family” continues to quietly provide some of the most hilarious commentary on its titular subject matter. After seven seasons, you might expect some of the characters to become tired or irrelevant. You might think the barb would be dulled, but such is not the case with this series. It continues to pull out quality comedy from familial life without much change in style, structure or even cast. It’s quite remarkable.