NR, 80 min.
Director: Tara Anaïse
Writers: Tara Anaïse, Tamara
Blaich
Starring: Sage Howard,
Andrew Simpson, Shelby Stehlin
Can we all agree by now that
going out into the wilderness with cameras to make a visual record of a ghost
story is a bad idea? Not only does this movie reference “The Blair Witch
Project” in concept and exact plot, but also it actually mentions it by name in
one of its lines. It tries to add some new elements, like aliens and time
travel, but never really takes them anywhere.
Once again we have three
filmmakers, the director a girl, and two guys. Once again we have local legends
tied to a geographical landmark. Once again we get different film formats
representing the different types of cameras being used. Why does everyone’s
cell phone cameras look like old-fashioned 8mm images, though? Is that a
standard cell phone setting? Movies on my cell phone don’t look like that. Once
again after things go wrong the filmmakers find themselves walking in circles
in a manner that doesn’t allow them to escape their hellish experience.
That last element also
recalls another great indie horror flick. “Yellow Brick Road” is perhaps the
ultimate crew of people trying to hunt down a local horror legend in the woods
and finding themselves in some sort of hell they can’t escape. There were times
I felt that film was also a definitive influence on this one. That one,
however, turns into possibly the most disturbing movie I’ve ever seen. It isn’t
disturbing through gore or depravity, however. It’s disturbing through
circumstance, which is as horrific as it gets. “Dark Mountain” not so much.
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