PG-13, 98 min.
Director: Stephen Frears
Writers: Steve Coogan, Jeff
Pope, Martin Sixsmith (book “The Lost Child of Philomena Lee”)
Starring: Judi Dench, Steve
Coogan, Sophie Kennedy Clark, Mare Winningham, Barbara Jefford, Ruth McCabe,
Peter Hermann, Sean Mahon, Anna Maxwell Martin, Michelle Fairley
The U.S. trailers might
leave a viewer to believe that “Philomena” is a comedy about a hardened
journalist forced to do a human interest story about a woman searching for a
child she once gave up for adoption. The woman is a quirky old person who isn’t
very well traveled, and the movie will be a comedic exploration of how these
two opposites will learn to live with and love each other. This is not the
case.
“Philomena” is actually a fairly
important drama about a great wrong practiced by the Roman Catholic Church in
Ireland that involved young women who were interred in orphanages run by the
church where they were forced into labor to pay for their care and the care of
their children born out of wedlock. In many cases, the children were sold for
adoption and the mothers were never allowed to know what had happened to them.
These orphanages were historically referred to as the Magdalene Laundries.
Philomena Lee was a real
victim of this practice. Martin Sixsmith told her story in the book “The Lost
Child of Philomena Lee”, which British comedian Steve Coogan has turned into
the film “Philomena”. Perhaps the American distributer was confused in their
marketing by the fact that Coogan usually works in comedy. However, the film
does fit with Coogan’s pattern of telling stories about British media
personalities, as Sixsmith enjoyed a long career at the BBC.
There is some humor in the
presentation of the material, which can probably be credited to Coogan’s
involvement. This proves Coogan to be the right person to tackle this material
that would threaten to bury its audience under the burden of the great
injustice it explores if it weren’t for the lighter touches Coogan and his
writing partner Jeff Pope cull from the story. Coogan is also pitch perfect as
Sixsmith, a fairly humorless man coming off a very public political defeat.
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